Costumes built to perform, move, and tell a story.

Greenhouse Theatre’s Much Ado About Nothing (Summer 2024) was a modern, minimalist reimagining that I costumed. The men wore denim shorts and tailcoats, while the women appeared in crisp whites — the structured denim echoing the rigidity of the male world, contrasted by the light, airy fabrics of the women.

For The Lion, the Witch and the Wardrobe at Greenhouse Theatre, I designed and built costumes that mixed the everyday with the magical — rough furs, soft wools, and icy details that brought Narnia to life.

For A Streetcar Named Desire at Greenhouse Theatre, I designed costumes that felt lived-in and emotional — soft silks, worn cottons, and sweat-stained undershirts that told the story of tension, desire, and decay.

For The Threepenny Opera, I played with contrast — shiny against worn, proper against crooked — to reflect the messy mix of class, greed, and charm that runs through the story.

Mizzou Theatre’s 9 to 5 — I worked as head cutter/draper alongside the lead costume designer, building and fitting garments for a large cast.